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瓷器界的黑马股票网 ——明代手执壶

2020-07-13 发布于 长海新媒体

明代手执壶

执壶最初的造型是由青铜器而来,南北朝早期的青瓷当中,已经完成了这种执壶的造型。其后在唐宋两代是金银器中的一种酒具,这从唐宋绘画上是很容易看到的。直到现在,还有宋代青白瓷的执壶流传下来。壶嘴的设计对于线的运用非常流利,在造型上是使一条向上斜挑起来的弧线,从壶身的一端向空间延伸开去,略呈抛物线形状。壶嘴的顶端和壶身保持较大的距离,构成大约30°的锐角。同时顶端微细,增加了自然飘洒的感觉,避免了突兀钝重的缺点。壶身另一面的把手像一条彩结一样,滑腻而婉转地附在壶身上。有的执壶还在把手的两端塑造成如意形图案,表示它不是和壶身生硬接上去的,而是从应用出发,又顾及到审美要求的一种配合。同时还对称地调整了壶嘴和壶身的关系,使它左右均衡,不偏不倚,重心适宜。

         The original shape of holding pot is from bronze ware, which has been completed in the early Celadon of southern and Northern Dynasties. Later in the Tang and Song Dynasties, it was a kind of wine set among the gold and silver wares, which can be easily seen from the paintings of the Tang and Song dynasties. Until now, there are still blue and white porcelain pots of the Song Dynasty handed down. The design of the spout is very fluent in the use of lines. In terms of modeling, it makes an upward inclined arc, extending from one end of the pot body to the space, showing a slightly parabolic shape. The top of the spout keeps a large distance from the body, forming an acute angle of about 30 degrees. At the same time, the top is fine, which increases the sense of natural floating and avoids the shortcomings of abrupt blunt heavy. The handle on the other side of the pot is like a colored knot, which is greasy and tactfully attached to the pot. Some of the teapots are also shaped into Ruyi shaped patterns on both ends of the handle, which means that it is not connected with the body of the pot rigidly, but a kind of cooperation starting from the application and taking into account the aesthetic requirements. At the same time, the relationship between the spout and the body of the pot is adjusted symmetrically to make it balanced, impartial and suitable for the center of gravity.

执壶,器身作扁瓶状,洗口,溜肩,有柄及流,圈足,造型优美,轮廓流丽。通身青白釉上点四处装饰,口部细滑平顺,两侧开光冰片纹,壶身正反两面装饰较少朴实、简单、典雅、端庄仍旧可辨。器底釉,圈足一周露胎,胎质缜密。

 

投顾网          Holding the pot, the body is flat bottle shape, washing mouth, sliding shoulder, with handle and flow, circle foot, beautiful shape and beautiful outline. The whole body is blue and white glaze, decorated with four spots. The mouth is smooth and smooth, with smooth borneol patterns on both sides. The front and back sides of the pot are less decorated. It is simple, elegant and dignified. There is no glaze on the bottom of the vessel, and the fetus is exposed around the circle foot.

      

日本所谓的思禅,即是指此类制造于明代的瓷器精品,色彩简单典雅,因其类似于装裱书画之古朴,故有此名称。瓷艺茶艺上要求把手、壶口、流口高度在一个平面上,再配上精美的工艺,更是锦上添花。每当你沏上一壶新茶倒入杯中,那一缕缕热气透着清香,沁人心一种闲适、雅致、宁静之感油然而生。得世界之赞誉,受到藏家青睐。股票网 、投资价值极高。


The so-called "meditation hand" in Japan refers to this kind of exquisite porcelain made in the Ming Dynasty, with simple and elegant colors. It has this name because it is similar to the simplicity of mounting calligraphy and painting. The height of handle, pot mouth and flow mouth should be in a plane on porcelain tea art, and the exquisite craft is the icing on the cake. Every time you brew a pot of new tea into the cup, the wisps of hot air permeate the fragrance, refreshing, a sense of leisure, elegant, quiet. He was praised by the world and favored by collectors. The value of collection and investment is very high.






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